What a mess the whole Brexit thing is… but I have to admit reading this headline made me feel a little excited.
“WHSMITH IS STOCKPILING NOTEBOOKS, DIARIES AND PENS FOR NO-DEAL BREXIT”
The retailer has reportedly said it would hold a six month supply of stationery that it imports from Asia, rather than three-to-four months worth in case of delays at ports, the Times reported.
THE 75TH ANNIVERSARY OF WORLD War II’s most iconic prisoner-of-war escape is less than two weeks away, on March 24, 2019. Just in time, Hansons Auctioneers in England is offering a rare relic of the daring feat: a diary that takes us inside the mind of one of the prisoners who planned it.
I was at work when I received a very strange text message. “Hi Sarah, my name is Will and I work for a company that sorts through donated and discarded books and came across a stack of your lovely notebooks. I am not sure if you would be interested in having them returned, but I at least would like to inquire about the pecan pie.â€
The message was followed by a picture of the interior of a Moleskine sketchbook of mine. The first page of a Moleskine has a place for you to write your name, address, phone number and a designated reward “in case of loss.†I have about two dozen Moleskines from the past 13 years, and in them I have offered various rewards — a painting, $20 plus a painting plus a kiss, a hot-air balloon and, in this particular book, a pecan pie.
It is an almost incomprehensible number: 46 million. That is how many items the New York Public Library says it has in its collection, and not all of them are books….
Starting next year, many of these items will be displayed in a new gallery at the library. I’d like to see this one:
The gallery will have Elizabeth Barrett Browning’s notebook. Amid drafts of poems is a page with a sketch of her dog Flush.
The Clark Art Institute is a lovely museum in Williamstown, Massachusetts, well worth a trip, especially in summertime. I visited there last summer when there happened to be an exhibit about women artists in Paris in the late 1800s. There were quite a few interesting paintings but one in particular was my favorite, and luckily it turned out to be available on the cover of this notebook!
I often find myself disappointed by the selection of notebooks and journals in museum stores. They often aren’t that special– just a very generic cheap notepad with an artwork slapped on the cover. Sometimes they just don’t have the kind of notebook I want, which is generally a pocket size plain, squared or dot-grid notebook. Other museums have fabulous stationery selections, but they are just general interest notebooks rather than exhibition tie-ins. (The Centre Pompidou in Paris has a quite extensive papeterie, and the Frick Museum shop, while small and limited in its selection, is where I found my beloved Bindewerk Linen Journal.) Sometimes museum stores have the same stuff you can find elsewhere, but they charge a lot more just because the museum name is stamped on it.
So with all this in mind, I was very happy to find this souvenir of the women artists exhibit. The painting looks lovely on the cover, and the notebook itself is a perfectly sized staple-bound pocket notebook with unlined pages. The paper is nothing special, not fountain pen friendly, but for my likely usage that doesn’t matter. The little belly band seemed almost like overkill since it’s just a single notebook, but I suppose it does keep it from getting shop-worn. At $4.50, this notebook didn’t break the bank.
I’ve bought a couple of Oxford notebooks on my European travels, as they are much more prevalent in shops over there. Someday I’ll do a full review, but my quick take on these is that they are nice-looking pocket notebooks that feel well-constructed and have great paper, the same Optik white paper used in Black n’ Red notebooks I’ve reviewed. (Details on Oxford’s website.)
I hadn’t come across these for sale in the US until now, but I just noticed two Amazon listings that could be a great deal:
Based on the title saying “5 pcs,” both of these seem to be for 5-packs of A6 size Oxford Signature notebooks in assorted colors, with lined pages. The $57.79 price makes sense for a 5-pack, working out to $11 or so per notebook (including free shipping). You can probably get these for less at a shop in the UK or Europe but if you’re in the US, you might not be able to find them at all.
But the other listing is $19.13! If that price is really for a 5-pack, that is really a great deal at less than $4 per notebook (not counting shipping). There are other listings that seem to show prices of $20-30 for single A5 size notebooks, so it’s possible there is a typo somewhere. But I also noticed that the dimensions on both listings show measurements of 3.7 x 5.7 x 2.2 inches, which sounds like the right thickness for 5 notebooks, and a weight of 1.32 lbs, which also sounds appropriate for 5 notebooks.
I also discovered a listing for Oxford Office Essentials notebooks, which are slim, staple-bound notebooks that also have the Optik paper with 5mm grid lines, and the listing seems to be for a 10-pack for $28.30 plus shipping.
I have not ordered these myself so I can not vouch for the accuracy of these listings. The prices cited are as of March 17, 2019, and could change at any time. Order at your own risk. But if anyone does order these, or has already, please let us know in the comments if you really did receive 5 notebooks!
This week’s addict is another Reddit find. You can see an inventory by brand in the comments on the original post. (A lot of Moleskine and Muji, as well as Fabriano and some others.) I love those two fabulously overstuffed ones on the top!
I love finding out about notebook brands I’ve never heard of, this time via a fun article from Buzzfeed, by Josephine Wolff. She first talks quite a bit about her notebooking habits:
As far back as I can remember, I have been an obsessive keeper and collector of notebooks, devoted to filling them with lists and notes and doodles — but I have never been good at keeping an actual journal. I first remember trying when I was 10 years old, but somewhere around day three or four of yet another entry beginning “I went to school and then I came home…†I would inevitably throw in the towel and decide that diaries were meant for people with more glamorous and exciting lives than mine.
My inability to keep a journal has not in any way hindered my notebook consumption over the years…
I totally identified with that! For most of my childhood, I was always craving a new notebook but never that good about actually writing much in them because my life didn’t seem that interesting! Wolff continues, talking about various notebooks she used over the years, until:
In March 2015, my mother discovered Fantasticpaper notebooks, manufactured by the German company Authentics, in a department store in Berlin. She brought me back two gray Fantasticpapers and I fell in love.
Wolff goes on to describe why she loves the Fantasticpaper notebooks, which she ended up buying in bulk from a store in Belgium:
They have a sewn binding that lays perfectly flat when open, paper so thick that absolutely no ink bleeds through the page, a durable cardboard cover that doesn’t peel after months of intensive use, and a modern geometric industrial design aesthetic that is pretty without being too precious. It is as if the designers heard every complaint I’d ever made about a notebook — curling covers, too-bright grid lines, too-large graph paper squares, thin paper, unsatisfactory binding — and designed this notebook just to meet my particular specifications.
The Fantasticpaper notebooks do look rather nice– they come in some nice color combinations, in A5, A6 and XL sizes, with lined, squared or plain paper. The company’s website takes you to this online shop, where they start at €7.99 for the A6 size. But I’m not sure if they ship outside of Europe. Something to add to my list of notebooks to try someday!
Be sure to read the full article, which is full of wonderful insights about keeping notebooks: How Finding The Perfect Notebook Made Me Less Anxious About The Future. Wolff feels happy about her new-found notebook writing habits, and secure because she’s stockpiled enough Fantasticpaper notebooks to last her a decade. But I’ll admit that had me worrying on her behalf: “only a decade?”
I purchased The Perfect Sketchbook as part of a Kickstarter in 2015. It was in my “to be reviewed” pile for quite a while, and I even did some pen tests but then it somehow fell off my radar. I recently came across it in my to be reviewed box and realized I’d never written a post about it. I might have set it aside realizing stock was sold out and no longer available from that first run of pocket sketchbooks.
The creator, Erwin Lian Cherngzhi, and his manufacturing partner, Bynd Artisan, later did a second version in a larger B5 size, with a different high quality paper. And now it’s good timing to be getting back to this, as he is working on a third version with a new manufacturing partner, Etchr Lab.
It is quite audacious to market something as “The Perfect Sketchbook.” People’s preferences can differ, so it’s hard for one sketchbook to be perfect for all users. But Erwin put a lot of thought into creating something that would be perfect for him, and quite a lot of other people too!
The Perfect Sketchbook Exterior
The outside of this Sketchbook is pretty typical: 9 x 14cm landscape format, hardcover, with an elastic closure. A removable paper band has the product specs and brand info, as well as some lovely examples of Erwin’s own art. The cover material is more leather-like than many other competitors. The brand is stamped onto the front cover– it’s subtle but I’d prefer it to be on the back. I like the grey color with matching ribbon marker and elastic band in a slightly lighter shade of grey. The sketchbook has a chunky, sturdy feel with a rounded spine and slightly thicker cover boards than some other similar notebooks. There is a fairly large cover overhang.
The Perfect Sketchbook Interior
When you open the sketchbook, the grey theme continues to the endpapers. There is a brand logo and space to write your name. The endpapers are a somewhat glossy coated paper, so some pens will bead up and smear easily. The flipside of the endpapers have a value chart in shades of grey. This can be used to assess the lights and darks in what you’re sketching. I have never used such a tool myself but I can see it being helpful and I’m looking forward to trying it. Erwin has suggestions for how to use it in the Kickstarter campaign page. There is a back pocket with a little booklet of fun facts about the Kickstarter campaign.
The Perfect Sketchbook Pen, Pencil and Watercolor Tests
The stitched signatures of heavy watercolor paper open totally flat. The paper has an off-white color and a toothy feel. It gives a nice texture for charcoal pencils and holds up to heavy watercolor washes without buckling. Erwin’s Kickstarter page also goes into quite a lot of detail about the characteristics of the paper.
A nice bonus about this Sketchbook is that it came with some small swatches of the paper (extra bits left behind during the manufacturing process) so I was able to use these for testing. The rougher texture of this paper is not a good match for most fine pens– it just feels a bit harsh, but they can certainly be used. You can throw pretty much anything at this paper. Nothing bleeds through. (There are some smudges of pencil on the back of the swatches from how they were stored on top of each other.) I don’t have a lot of technical knowledge about watercolor painting, so I will just say that this paper seems great to me, without trying to judge it on a professional artist’s criteria.
Conclusion
So is this Sketchbook truly perfect? The paper is perfect for what it’s perfect for, which is drawing and painting. The tagline on the notebook says “Created by Artists, for Artists,” and I believe artists will be happy with it. If you want something where you can incorporate writing, you might prefer a sketchbook with smoother paper. I have my little quibble with the cover overhang, but on the whole, I think the quality of the construction is excellent.
I pledged $20 as an early bird backer. $20 isn’t cheap for a pocket sketchbook, but for something of this quality, it’s not totally out of line vs. the competition. The closest thing I’ve tried is probably a Stillman & Birn Delta or Beta series– their pocket size version runs around $10 on Amazon, but it’s a softcover with fewer features, so it’s not an apples to apples comparison. I also reviewed three watercolor sketchbooks a few years ago. Of those, the Pentalic is probably the closest to the Perfect Sketchbook, and you can get it for about $13 on Amazon.
But the Perfect Sketchbook was only available at the $20 price for early birds. Other backers paid $25. The cover of the sketchbook notes a price of $30 USD, though I don’t think copies were ever sold at retail. This should really be considered a semi-custom-made sketchbook, collectively produced by artists who want these exact features and will pay extra to have them. I really like my Perfect Sketchbook and am glad I have one. But for me, it’s like driving a Lamborghini instead of a BMW, or cooking on a Wolf range instead of a Samsung, or listening to McIntosh speakers instead of Bose: a higher-than-high-end experience that I can’t quite appreciate enough for it to be worth the extra money. Nevertheless, I look forward to seeing what Erwin does next, in case it’s perfect for me!
A gorgeous, dense sketchbook spread by artist Sterling Hundley, drawn with Blackwing pencil, in what appears to be a Moleskine. This is the kind of sketchbook page I can get lost in.
The observational sketchbooks of Sterling Hundley. With a focus on time as a central theme, these journals are filled with “compression portraits”, which seek to reveal a portrait of time.
These sketchbook drawings are part of a book Hundley is publishing after a successful Kickstarter campaign. The book is due in April 2019, and can be pre-ordered for $26 plus shipping here even if you missed the Kickstarter.
Neat article about the original Bigelow pharmacy store in NYC. They have a collection of artifacts which includes old notebooks of recipes for medicines!
Established in 1838 by Dr. Galen Hunter, the store was originally called the Village Apothecary Shoppe. In 1880, Clarence Otis Bigelow purchased it and renamed it after himself, moving it 22 years later, two doors down, to Sixth Avenue and Ninth Street, where it stands today.
Mr. Ginsberg’s grandfather and his brother-in-law bought the drugstore in 1939. Over the last 180 years, the Ginsberg family has amassed more than 10,000 pharmaceutical and beauty items, including original prescription and recipe books from the 1800s; tablet rollers; old photographs; and mid-20th-century cosmetics packaging.
Over the last 180 years, the Ginsberg family has amassed more than 10,000 pharmaceutical and beauty items.
This week’s addict is Mary, the blogger at From the Pen Cup. Her website features lots of pen and notebook goodness, including these photos:
I started my third Field Notes Storage box this week. That’s a picture of a portion of the first two boxes, crammed with as many completed pocket notebooks as I could jam in there. I keep a “personal†and “work†notebook running all the time, and enjoy using not just Field Notes, but also Nock Co., Story Supply, Write Notepad & Co., and Log & Jotter notebooks.
Every time I see those nice wooden Field Notes crates, I am wildly envious! I might have to buy one to store my various small softcover notebooks even though most of them are brands other than Field Notes. Mary’s leather notebook cover looks very nice too.