A History of the “Little Black Book”

Here’s an interesting little element of the generally sleazy and disgusting Jeffrey Epstein case: his “little black book.”

From the July 22, 2019 New York Times: What’s Inside Jeffrey Epstein’s Little Black Book?

First discovered by the journalist Nick Bryant, Mr. Epstein’s little black book has resurfaced as part of the current investigation into the sex crimes Mr. Epstein, a 66-year-old financier, has been charged with. (Last week, a federal judge denied his request to await trial at his $56 million Upper East Side mansion.)
Alfredo Rodriguez, Mr. Epstein’s former house manager, attempted to sell the book; it was published in 2015 by Gawker, with the telephone numbers redacted.
Described in an F.B.I. affidavit in 2009 as “a small bound book,” the item contains the names of people who viewers theorized may have known Mr. Epstein socially. Being in the book suggested a fuzzy complicity: Might these people also have known, or had some sense, of his crimes?

Mr. Epstein’s book has become a symbol of the exclusive world of the very famous and very rich, and the secret life the financier lived.
That makes it the latest in a line of “little black books” that have played key roles in crime stories as far back as the mid-18th century, when Samuel Derrick conspired with Jack Harris, the “Pimp General of all England,” to create an annual guide to London’s prostitutes and their specialties. It ran hundreds of names long and was known as “Harris’s List of Covent-Garden Ladies.”
Ever since, the term “little black book” has come to represent something of a secret directory both in true crime tales and in the arts; a list passed along among insiders and conspirators; a source of illicit knowledge and a record of it that could be weaponized. The little black book has transcended mere notebook status to become a cultural trope, symbol and narrative device. (Also, on occasion, a gift item.)

The article goes on to trace various examples of little black books being used to hold lists of ex-lovers or other sorts of scandalous contacts. Unfortunately, there aren’t any pictures of the notebooks except for this one!

I’ve had many little black notebooks, but the only one that might have qualified as a “little black book” was a black plastic looseleaf notebook that I used as a pre-teen. In it, I created pages about various kids I knew at school, noting whether I liked them or not, whether they’d been mean or nice to me, whether they were smart, or pretty, or good at sports, etc. Nothing all that scandalous, but I remember looking back at some of my comments and being embarrassed enough that I’d never show it to any of those people today!

Artist Loses Sketchbook

Whenever I see stories like this, I cringe! As far as I can remember, I’ve only lost one notebook in my life, a rather cool one I was using in 7th grade that was probably stolen rather than lost. I never did find another one like it, and it’s haunted me ever since! So I very much empathized with this Milwaukee TV news video about an artist losing a sketchbook. She is offering a $100 reward.

MILWAUKEE (CBS 58) — A local artist needs your help after losing a precious piece of her artwork.
Judith Friebert of Shorewood lost a sketchbook after attending church services at the First Unitarian Society on Astor Street.
“It’s just a terrible sinking feeling when you’ve lost your sketchbook,” Friebert told us. It was a quick mistake that caused Friebert to lose the collection of sketches.

Source: Local artist needs help finding sketchbook

The Dawes Notebooks

Some fascinating historic notebooks recording the first contact between British settlers and Aboriginal people in Australia:

A set of 1788 notebooks recording the first attempts at communication between British settlers and Indigenous Australians reveals language that is still in use in Sydney Aboriginal communities today.

The Dawes notebooks, named for First Fleet officer William Dawes who recorded his discussions with Aboriginal people of La Perouse, are on international loan from the UK for the State Library’s landmark exhibition, Living Language: Country, Culture, Community, which opened [July 13, 2019].


The notebooks include exchanges between Dawes and Woollarawarre Bennelong, as well as his second wife Barangaroo. Bennelong served as an interlocutor between the British and the native people.

“Lieutenant Dawes was just really interested in not just the culture, but getting to know the people and their nuances,” said the Library’s Melissa Jackson, a Bundjalung woman who previously lived in La Perouse.

“I’ve been able to read them before on microfilm – but to see them in the flesh is just very humbling.”

The notebooks are incredibly important to Aboriginal people because they retain the conversational context which is crucial for contemporary language revival work today.

Read more: ‘Something to remember’: 18th century notebooks return to Sydney

Thomas Lawrason Riggs’s Notebook

Father Thomas Lawrason Riggs was the first Catholic chaplain at Yale. He was a member of Yale’s class of 1910, where he met Cole Porter, the composer. He later attended graduate school at Harvard, where he roomed with Porter and Dean Acheson, a future secretary of state.

During World War I, Riggs returned to Yale to serve as a translator for the Yale Mobile Hospital Unit. After the war, he became a Catholic priest, and after a visit to the universities at Cambridge and Oxford to consult with their chaplains, he became the chaplain at Yale. He later donated his papers to the university and this notebook is part of the collection:

Items of note include his typed manuscript of Saving Angel and a notebook from 1917 that contains notes from his training for the Yale Mobile Hospital Unit. The notebook is blank in the middle and its back portion contains notes in pencil dated July 18-21. These notes instruct on how to identify contagious diseases, bandage various sprains, set broken bones, and prepare meals for the injured (poached eggs and cocoa are two items on the menu). There is also a particularly sobering section that describes the different sorts of poisonous gas a soldier could inhale, how to identify them, and which ones would prove fatal.

Read more at A Tale of Two Archives: Tracing the Life of Thomas Lawrason Riggs ’10

See other World War I notebooks.

Sara Boccaccini Meadows’ Sketchbooks

I love the luscious colors and texture of these sketchbook pages!

New York-based print designer and illustrator Sara Boccaccini Meadows has made it a habit to take her sketchbook everywhere she goes, taking inspiration from her everyday surroundings….

This artist also has a 35-minute online class to help you paint beautiful botanicals.

Read more: Artist Shares Her Colorful Sketchbooks She Fills w/ Beautiful Botanicals

August F. Foerste’s Field Notebook

A gorgeous example of a natural historian’s field notes. This belonged to August F. Foerste, an American geologist and paleontologist.

august Foerste field notebook
Specimen notebook, Ohio, 1887-1888.
https://www.biodiversitylibrary.org/item/229964
august foerste field notebook with sketches
Specimen notebook, Ohio, 1887-1888. 
https://biodiversitylibrary.org/item/229964

From the original article at the Field Book Project website:

Field notes are well known to be essential, primary material that provide details about collections and expeditions that aren’t found in published material or specimen labels. Field notes can also contain diary entries, poems, and sketches which give insight into the lives of the researchers themselves. In our last post, we briefly highlighted some of the candy and drink preferences of some of the researchers in our collections.

One of these researchers is August F. Foerste. In his Specimen notebook, Ohio, 1887-1888, with no explanation, we find a list of several different candy recipes, including chocolate creams, lemon drops, and Neapolitan creams. Brings up quite a few questions. Who gave him the recipes? Was this the only paper he had available to write them down? Did he try to make them? …
What we can determine is that they were written down in 1888 when Foerste was completing his master’s degree at Harvard University.

Read more at: Field Book Project

Collection highlights, news, interviews, and other treasures uncovered by the Field Book Project. The Field Book Project is an initiative to increase accessibility to field book content that documents natural history. Through ongoing partnerships within and beyond the Smithsonian Institution, the Project is making field books easier to find and available in a digital format for current research, as well as inspiring new ways of utilizing these rich information resources.

Sketching Sculpture

…or perhaps this post’s title should be “Sketching Skulpture,” because my inspiration comes from a blog post at Sketchbook Skool.

The sketch below by Jonathan Twingley really caught my eye– such a cool mix of color, texture and light and dark shading with fine cross-hatching. It was done on location at MoMA, as part of a project of sketching all the Picasso sculptures on exhibit there.

Sketch by Jonathan Twingley

Sketching on location is a great way to bring fresh inspiration to your sketchbook. And doing it with a friend is a great way to keep from chickening out. It can be a little intimidating to sketch in public—particularly when you’re sketching something by a great master. Don’t go for a perfect rendering; that’s what cameras are for. When you sketch what you see, sketch it as you see it. Art is about interpretation. Is the art you’re sketching a perfect rendering of a person, a house, a field? No, it’s the artist’s emotion and perception on the page.

For some reason, I have almost always avoided sketching sculptures. If you’re sketching a realistic sculpture of a human figure, the problem is that it usually looks like you tried to draw a real human model and ended up with a stiff and lifeless representation, no matter how accurately you captured the pose and proportions. But seeing the sketches above has inspired me to try drawing some abstract sculptures the next time I have a chance. That way I can focus more on shapes and shadows and texture, and less on trying to draw an accurate figure.

I’m always looking for inspiration for my own drawings— lately I’ve been drawing from photos but I think sketching objects or people in three-dimensional real life is better practice. I just started a new sketchbook, so now I can’t wait for my next chance to see some sculpture!

Read more: Field Trip Sketching at the Museum with Danny and Twingley | Sketchbook Skool Blog

André Mare’s Sketchbooks

I don’t remember where I first came across the work of André Mare. He was a French artist who was associated with the Cubism and Art Deco movements, and his World War I sketchbooks are quite remarkable.

Source: IdeelArt: André Mare – Camouflaging the War
Source: Samedi – André Mare et les carnets de guerre
Source: Samedi – André Mare et les carnets de guerre

No discussion about Cubism can be complete without at least some mention of André Mare. Yet even in conversations amongst experts on the topic, it is rare that the name of this accomplished French artist and designer is brought up. Perhaps this is because Mare was admittedly not a pioneer of the Cubist method in the way that Picasso or Braque were. Nor was he necessarily a virtuoso of it, as were his friends and sometime collaborators Marcel Duchamp and Fernand Léger. Nor was Mare a top Cubist theorist, as were Albert Gleizes and Jean Metzinger—the authors of Du Cubisme, the Cubist manifesto. What then was the contribution Mare made to Cubist history? He was the first to apply Cubist theories to the art of war. The art of camouflage may date back to the earliest days of human civilization, but the first time it was ever officially and systematically used during wartime was in World War I. As a French army soldier, Mare was one of the first people drafted into a camouflage unit. He applied his talents broadly and successfully, leading his team in the development of a number of innovative techniques. He designed realistic looking fake trees, hollow on the inside so soldiers could climb up inside of them and use them as lookouts; he painted tanks, artillery, and the outside of tents to render them invisible from the air; and he designed and built false targets. We know about all of his ideas today because the whole time he was fighting, Mare kept a detailed diary of his experiences. Its pages show detailed, color drawings explaining how he used Cubist techniques to reduce objects in space to shapes, colors and planes in order to fool the eyes of German pilots. Just as with a Cubist painting, which strives to capture four-dimensional reality, Mare created trompe l’oeil worlds on the battlefield that captured a multitude of different perspectives all at once, so that even whilst moving, viewers could not be sure exactly what was passing before their eyes.

Read more at: IdeelArt: André Mare – Camouflaging the War

New A5 Notebook from Pebble Stationery

I recently reviewed the excellent pocket notebook from Pebble Stationery. Now they are back with a new Kickstarter project for a larger A5 size notebook, in the same design with Tomoe River paper, which I’m sure will be a popular item!

new Pebble Stationery A5 Tomoe River paper notebook

The campaign runs for just 2 weeks, from June 25th to July 9th. Deliveries of notebooks are expected to be completed in August. They have limited the number of notebooks available to make sure there are no issues getting enough paper, so if you are interested, make sure you get your order in ASAP. Retail pricing on the notebooks will be $12.99 USD.

Pebble Stationery shared an early prototype of the new A5 notebook with me. I was pleased to see that they kept all the great design details of the pocket notebooks– same cover, endpapers, stitching and paper. And they have added numbering to the pages. The page count is 120, up from the 80 pages in the pocket notebook.

Pebble Stationery A5 size vs. 9x14 cm pocket size
Comparison of thickness between A5 Pebble Stationery notebook and two pocket size notebooks
Pebble Stationery A5 notebook numbered pages

As with their prior notebook project, for each notebook sold, Pebble Stationery makes a donation of a pencil for a school child. This time, the beneficiary will be an orphanage called the Ibn Hayan Association, in Fez, Morocco.

You can see the full details on the Pebble Stationery A5 Notebook Kickstarter campaign here.

Notebooks, journals, sketchbooks, diaries: in search of the perfect page…