Daniel DiGriz has decided that “the Moleskine is the perfect notebook.” From his blog, The Rules of Work:

When I look at a moleskine, the miser in me says ‘too expensive, decadent, not sustainable’. But then I haven’t looked for knock offs. The moleskine is flexible in its cover. That’s huge. You get a kind of subtle portability off of a soft, flexible cover that doesn’t come from a hardback lined blank book, which is cheaper. The ribbon marker is hugely important. You might think it wouldn’t be, but it just is. The size is crazy important. The smallest bit too big, and it’s not going with you just when you need it. The smallest bit too small, and you won’t use it. Moleskine size variations are wonderful. It’s not that you might not find a blackberry useful, for instance, but it’s not useful for every kind of writing activity. The moleskine is very netbook like, as a paper object. It says ‘write in me’, not ‘play games on me, set me to vibrate, play with me on a subway’. Also, I could throw 10 moleskines into a manila envelope if I needed to move them – a moleskine doesn’t beg to be offloaded/scanned – it’s made to keep a record of your thoughts in between its covers and nowhere else. The kind of thoughts that either become something else in a different venue (like a book or blog) or aren’t meant to be shared – only used.

Read more at Moleskine – Tactile Aesthetic Technology : Rules of Work.